Fleda, downstairs, learned soon enough what this was. It was simply that, as he announced the moment he stood before her, he was now all right. When she asked him what he meant by that state he replied that he meant he could practically regard himself henceforth as a free man: he had had at West Kensington, as soon as they got into the street, such a horrid scene with Mrs. Brigstock. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"!

"Yes, but he didn't describe it. All his instinct was to conceal it from Mona. He wasn't conscious, but he was already in love with you!" Mrs. Gereth declared. Fleda saw perfectly, and, with a face in which she flattered herself that nothing of this vision appeared, gave him her hand and said: "Good-bye, good-bye."

Fleda had awaited his rejoinder in deep suspense; such was her imagination of the possibility of his having, as she tacitly phrased it, let himself go on paper that when it arrived she was at first almost afraid to open it. There was indeed a distinct danger, for if he should take it into his head to write her love-letters the whole chance of aiding him would drop: she would have to return them, she would have to decline all further communication with him: it would be quite the end of the business. This imagination of Fleda's was a faculty that easily embraced all the heights and depths and extremities of things; that made a single mouthful, in particular, of any tragic or desperate necessity. She was perhaps at first just a trifle disappointed not to find in the note in question a syllable that strayed from the text; but the next moment she had risen to a point of view from which it presented itself as a production almost inspired in its simplicity. It was simple even for Owen, and she wondered what had given him the cue to be more so than usual. Then she saw how natures that are right just do the things that are right. He wasn't clever—his manner of writing showed it; but the cleverest man in England couldn't have had more the instinct that, under the circumstances, was the supremely happy one, the instinct of giving her something that would do beautifully to be shown to Mrs. Gereth. This was a kind of divination, for naturally he couldn't know the line Mrs. Gereth was taking. It was furthermore explained—and that was the most touching part of all—by his wish that she herself should notice how awfully well he was behaving. His very bareness called her attention to his virtue; and these were the exact fruits of her beautiful and terrible admonition. He was cleaving to Mona; he was doing his duty; he was making tremendously sure he should be without reproach. The day after Fleda received this letter she had occasion to go into a big shop in Oxford Street—a journey that she achieved circuitously, first on foot and then by the aid of two omnibuses. The second of these vehicles put her down on the side of the street opposite her shop, and while, on the curbstone, she humbly waited, with a parcel, an umbrella, and a tucked-up frock, to cross in security, she became aware that, close beside her, a hansom had pulled up short, in obedience to the brandished stick of a demonstrative occupant. This occupant was Owen Gereth, who had caught sight of her as he rattled along and who, with an exhibition of white teeth that, from under the hood of the cab, had almost flashed through the fog, now alighted to ask her if he couldn't give her a lift. On finding that her destination was only over the way he dismissed his vehicle and joined her, not only piloting her to the shop, but taking her in; with the assurance that his errands didn't matter, that it amused him to be concerned with hers. She told him she had come to buy a trimming for her sister's frock, and he expressed an hilarious interest in the purchase. His hilarity was almost always out of proportion to the case, but it struck her at present as more so than ever; especially when she had suggested that he might find it a good time to buy a garnishment of some sort for Mona. After wondering an instant whether he gave the full satiric meaning, such as it was, to this remark, Fleda dismissed the possibility as inconceivable. He stammered out that it was for her he would like to buy something, something "ripping," and that she must give him the pleasure of telling him what would best please her: he couldn't have a better opportunity for making her a present—the present, in recognition of all she had done for Mummy, that he had had in his head for weeks. "Nothing, because nobody knows. They're to be married on the 17th, at Waterbath church. If anything else comes out, everybody is a little prepared. It will pass for some stroke of diplomacy, some move in the game, some outwitting of me. It's known there has been a row with me."